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Anetso, a centuries-old Cherokee ball game still played today, is a vigorous, sometimes violent activity that rewards speed, strength, and agility. At the same time, it is the focus of several linked ritual activities. Is it a sport? Is it a religious ritual? Could it possibly be both? Why has it lasted so long, surviving through centuries of upheaval and change? Based on work in the field and in the archives, this book argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso, itself the hub of an extended ceremonial complex, or cycle. A precursor to lacrosse, anetso appears in all manner of Cherokee cultural narratives and has figured prominently in the written accounts of non-Cherokee observers for almost three hundred years. The anetso ceremonial complex incorporates a variety of activities which, taken together, complicate standard scholarly distinctions such as game versus ritual, public display versus private performance, and tradition versus innovation. This book provides a striking opportunity for rethinking the understanding of ritual and performance as well as their relationship to cultural identity. It also offers a sharp reappraisal of scholarly discourse on the Cherokee religious system, with particular focus on the Eastern Band of Cherokee Nation.

This book looks at mid-century American sex and culture. It traces the origins of the “sexual revolution” of the 1960s. The book argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II-era “victory girls” to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms. Building on a new generation of research on postwar society, the text tells the history of diverse young women who stood at the center of major cultural change and helped transform a society bound by conservative sexual morality into one more open to individualism, plurality, and pleasure in modern sexual life.

From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina’s Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation.

The origin story of hip-hop—one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx—has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music. In Break Beats in the Bronx, Ewoodzie portrays the creative process that brought about what we now know as hip-hop and shows that the art form was a result of serendipitous events, accidents, calculated successes, and failures that, almost magically, came together. In doing so, he questions the unexamined assumptions about hip-hop's beginnings, including why there are just four traditional elements—DJing, MCing, breaking, and graffiti writing—and not others, why the South Bronx and not any other borough or city is considered the cradle of the form, and which artists besides Kool Herc, Afrika Bambaataa, and Grandmaster Flash founded the genre. Ewoodzie answers these and many other questions about hip-hop's beginnings. Unearthing new evidence, he shows what occurred during the crucial but surprisingly underexamined years between 1975 and 1979 and argues that it was during this period that the internal logic and conventions of the scene were formed.

In C. Wright Mills and the Cuban Revolution, A. Javier Treviño reconsiders the opinions, perspectives, and insights of the Cubans that sociologist C. Wright Mills interviewed during his visit to the island in 1960. On returning to the United States, the esteemed and controversial sociologist wrote a small paperback on much of what he had heard and seen, which he published as Listen, Yankee: The Revolution in Cuba. Those interviews--now transcribed and translated--are interwoven here with extensive annotations to explain and contextualize their content. Readers will be able to “hear” Mills as an expert interviewer and ascertain how he used what he learned from his informants. Treviño also recounts the experiences of four central figures whose lives became inextricably intertwined during that fateful summer of 1960: C. Wright Mills, Fidel Castro, Juan Arcocha, and Jean-Paul Sartre. The singular event that compelled their biographies to intersect at a decisive moment in the history of Cold War geopolitics--with its attendant animosities and intrigues--was the Cuban Revolution.

Late nineteenth-century San Francisco was an ethnically diverse but male-dominated society bustling from a rowdy gold rush, earthquakes, and explosive economic growth. Within this booming marketplace, some women stepped beyond their roles as wives, caregivers, and homemakers to start businesses that combined family concerns with money-making activities. The author of this book traces the experiences of these women entrepreneurs, exploring who they were, why they started businesses, how they attracted customers and managed finances, and how they dealt with failure. Using a unique sample of bankruptcy records, credit reports, advertisements, city directories, census reports, and other sources, she argues that women were competitive, economic actors, strategizing how best to capitalize on their skills in the marketplace. Their boardinghouses, restaurants, saloons, beauty shops, laundries, and clothing stores dotted the city's landscape. By the early twentieth century, however, technological advances, new preferences for name-brand goods, and competition from large-scale retailers constricted opportunities for women entrepreneurs at the same time that new opportunities for women with families drew them into other occupations. The author's analysis demonstrates that these businesswomen were intimately tied to the fortunes of the city over its first seventy years.

From 2004 to 2006 the Osage Nation conducted a contentious governmental reform process in which sharply differing visions arose over the new government's goals, the Nation's own history, and what it means to be Osage. The primary debates were focused on biology, culture, natural resources, and sovereignty. This book documents the reform process in order to reveal the lasting effects of colonialism and to illuminate the possibilities for indigenous sovereignty. In doing so, it brings to light the many complexities of defining indigenous citizenship and governance in the twenty-first century. By situating the 2004–6 Osage Nation reform process within its historical and current contexts, the author illustrates how the Osage have creatively responded to continuing assaults on their nationhood. An account of a nation in the midst of its own remaking, the book presents an analysis of how legacies of European invasion and settlement in North America continue to affect indigenous people's views of selfhood and nationhood.

This book brings the histories of Creek Indians, African Americans, and whites in Oklahoma together into one story that explores the way races and nations were made and remade in conflicts over who would own land, who would farm it, and who would rule it. This story disrupts expected narratives of the American past, revealing how identities—race, nation, and class—took new forms in struggles over the creation of different systems of property. Conflicts were unleashed by a series of sweeping changes: the forced “removal” of the Creeks from their homeland to Oklahoma in the 1830s, the transformation of the Creeks' enslaved black population into landed black Creek citizens after the Civil War, the imposition of statehood and private landownership at the turn of the twentieth century, and the entrenchment of a sharecropping economy and white supremacy in the following decades. In struggles over land, wealth, and power, Oklahomans actively defined and redefined what it meant to be Native American, African American, or white.

Through nostalgic idealizations of motherhood, family, and the home, influential leaders in early twentieth-century America constructed and legitimated a range of reforms that promoted human reproduction. Their pronatalism emerged from a modernist conviction that reproduction and population could be regulated. European countries sought to regulate or encourage reproduction through legislation; America, by contrast, fostered ideological and cultural ideas of pronatalism through what this book refers to as “nostalgic modernism,”which romanticized agrarianism and promoted scientific racism and eugenics. The book looks closely at the ideologies of five influential American figures: Mary Elizabeth Lease's maternalist agenda, Florence Sherbon's eugenic “fitter families”campaign, George H. Maxwell's “homecroft” movement of land reclamation and home building, Theodore Roosevelt's campaign for conservation and country life, and Edward Alsworth Ross's sociological theory of race suicide and social control. Demonstrating the historical circumstances that linked agrarianism, racism, and pronatalism, it shows how reproductive conformity was manufactured, how it was promoted, and why it was coercive. In addition to contributing to scholarship in American history, gender studies, rural studies, and environmental history, this study sheds light on the rhetoric of “family values” that has regained currency in recent years.

Some of North Carolina's finest fiction and nonfiction writers come together in Every True Pleasure, including David Sedaris, Kelly Link, Allan Gurganus, Randall Kenan, and more. Within the volume-featuring writers who identify as gay, trans, bisexual, and straight-are stories and essays that view the full spectrum of contemporary life though an LGBTQ lens. These writers, all native or connected to North Carolina, show the multifaceted challenges and joys of LGBTQ life, including young love and gay panic, the minefield of religion, military service, having children with a surrogate, family rejection, finding one's true gender, finding sex, and finding love. One of the only anthologies of its kind, Every True Pleasure speaks with insight and compassion about living LGBTQ in North Carolina and beyond. Contributors include Jasmine Beach-Ferrara, Brian Blanchfield, Belle Boggs, Emily Chávez, Garrard Conley, John Pierre Craig, Diane Daniel, Allan Gurganus, MinroseGwin, Aaron Gwyn, Wayne Johns, Randall Kenan, Kelly Link, Zelda Lockhart, Toni Newman, Michael Parker, Penelope Robbins, David Sedaris, Eric Tran, and Alyssa Wong.

This book chronicles the dawn of the global movement for women’s rights in the first decades of the twentieth century. The founding mothers of this movement were not based primarily in the United States, however, or in Europe. Instead, Katherine M. Marino introduces readers to a cast of remarkable Latin American and Caribbean women whose deep friendships and intense rivalries forged global feminism out of an era of imperialism, racism, and fascism. Six dynamic activists form the heart of this story: from Brazil, Bertha Lutz; from Cuba, Ofelia Domíngez Navarro; from Uruguay, Paulina Luisi; from Panama, Clara Gonzoz; from Chile, Marta Vergara; and from the United States, Doris Stevens. This Pan-American network drove a transnational movement that advocated women’s suffrage, equal pay for equal work, maternity rights, and broader self-determination. Their painstaking efforts led to the enshrinement of women’s rights in the United Nations Charter and the development of a framework for international human rights. But their work also revealed deep divides, with Latin American activists overcoming U.S. presumptions to feminist superiority. As Marino shows, these early fractures continue to influence divisions among today’s activists along class, racial, and national lines. Marino’s multinational and multilingual research yields a new narrative for the creation of global feminism. The leading women introduced here were forerunners in understanding the power relations at the heart of international affairs. Their drive to enshrine fundamental rights for women, children, and all people of the world stands as a testament to what can be accomplished when global thinking meets local action.

This sweeping regional history traces the metamorphosis of the Native South from first contact in 1540 to the dawn of the eighteenth century, when indigenous people no longer lived in a purely Indian world but rather on the edge of an expanding European empire. Using a framework that its author calls the “Mississippian shatter zone” to explicate these tumultuous times, this book examines the European invasion, the collapse of the precontact Mississippian world, and the restructuring of discrete chiefdoms into coalescent Native societies in a colonial world. The story of one group—the Chickasaws—is closely followed through this period.

Although the rate of gun ownership in U.S. households has declined from an estimated 50 percent in 1970 to approximately 32 percent today, Americans' propensity for carrying concealed firearms has risen sharply in recent years. Today, more than 11 million Americans hold concealed handgun licenses, an increase from 4.5 million in 2007. Yet, despite increasing numbers of firearms and expanding opportunities for gun owners to carry concealed firearms in public places, we know little about the reasons for obtaining a concealed carry permit or what a publicly armed citizenry means for society. Angela Stroud draws on in-depth interviews with permit holders and on field observations at licensing courses to understand how social and cultural factors shape the practice of obtaining a permit to carry a concealed firearm. Stroud's subjects usually first insist that a gun is simply a tool for protection, but she shows how much more the license represents: possessing a concealed firearm is a practice shaped by race, class, gender, and cultural definitions that separate "good guys" from those who represent threats. This work goes beyond the existing literature on guns in American culture, most of which concentrates on the effects of the gun lobby on public policy and perception. Focusing on how respondents view the world around them, this book demonstrates that the value gun owners place on their firearms is an expression of their sense of self and how they see their social environment.

Challenging traditional histories of abolition, this book shifts the focus away from the East to show how the women of Ohio, Indiana, Illinois, Michigan, and Wisconsin helped build a vibrant antislavery movement in the Old Northwest. It argues that the environment of the Old Northwest—with its own complicated history of slavery and racism—created a uniquely collaborative and flexible approach to abolitionism. Western women helped build this local focus through their unusual and occasionally transgressive activities. They plunged into Liberty Party politics, vociferously supported a Quaker-led boycott of slave goods, and tirelessly aided fugitives and free blacks in their communities. Western women worked closely with male abolitionists, belying the notion of separate spheres that characterized abolitionism in the East. The contested history of race relations in the West also affected the development of abolitionism in the region, necessitating a pragmatic bent in their activities. Female antislavery societies focused on eliminating racist laws, aiding fugitive slaves, and building and sustaining schools for blacks. This approach required that abolitionists of all stripes work together, and women proved especially adept at such cooperation.

Nineteenth-century newspaper editor Jane Grey Swisshelm (1815–1884) was an unconventionally ambitious woman. While she struggled in private to be a dutiful daughter, wife, and mother, she publicly critiqued and successfully challenged gender conventions that restricted her personal behavior, limited her political and economic opportunities, and attempted to silence her voice. As the owner and editor of newspapers in Pittsburgh, St. Cloud, Minnesota, and Washington, D.C., and as one of the founders of the Minnesota Republican Party, Swisshelm negotiated a significant place for herself in the male-dominated world of commerce, journalism, and politics. How she accomplished this feat; what expressive devices she used; what social, economic, and political tensions resulted from her efforts; and how those tensions were resolved are the central questions examined in this biography. The book arranges the book topically, rather than chronologically, to include Swisshelm in the broader issues of the day, such as women's involvement in politics and religion, their role in the workplace, and marriage. Rescuing this prominent feminist from obscurity, it shows how Swisshelm laid the groundwork for the “New Woman” of the turn of the century.

In the heart of Washington, D.C., a centuries-old landscape has come alive in the twenty-first century through a re-creation of the natural environment as the region's original peoples might have known it. Unlike most plantings that surround other museums on the National Mall, the landscape around the Smithsonian's National Museum of the American Indian (NMAI) is itself a living exhibit, carefully created to reflect indigenous ways of thinking about the land and its uses. This book offers beautiful images of the museum's natural environment in every season as well as the uniquely designed building itself. Chapters provide an examination of indigenous peoples' long and varied relationship to the land in the Americas, an account of the museum designers' efforts to reflect traditional knowledge in the design of individual landscape elements, detailed descriptions of the 150 native plant species used, and an exploration of how the landscape changes seasonally.

The Lives in Objects presents a thoroughly researched and engaging study of the deerskin trade in the colonial Southeast, which is equally attentive to British American and Southeastern Indian cultures of production, distribution, and the consumption of goods. It challenges long-standing assumptions about Native American and European economic cultures in Early America, particularly the dichotomy that other scholars have drawn between gift-giving (associated with native pre-capitalist economies) and commodity exchange (associated with colonial market economies). This interpretation has tended to cast Native Americans as unwitting victims drawn into and made dependent on a trans-Atlantic marketplace. This book complicates that picture by showing how both sides (Southeastern Indian and British American) mixed gift-giving and commodity exchange in the deerskin trade, so much so that Southeastern Indians retained much greater agency as producers and consumers than the standard scholarly interpretation accords them. The result is a much more nuanced view of the trade and its impact on the economic and material lives of Southeastern Indian and British individuals. In this pursuit, this book also complicates the deerskin trade from the British perspective, showing that royal and colonial governments were not as willing to embrace modern free market values as we might assume.

This book is in an autobiographical framework that spans the period from 1963 to the present. It encompasses theoretical writing and organizational work in transforming the history profession and in establishing Women's History as a mainstream field. Six of the twelve chapters are new, written especially for this volume; the others have previously appeared in small journals or were originally presented as talks, and have been revised for this book. Several chapters discuss feminist teaching and the problems of interpretation of autobiography and memoir for the reader and the historian. The book includes reflections on feminism as a worldview, on the meaning of history writing, and on problems of aging. The chapters illuminate how thought and action connected in the author's life, how the life she led before she became an academic affected the questions she addressed as a historian, and how the social and political struggles in which she engaged informed her thinking.