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Battle HymnsThe Power and Popularity of Music in the Civil War$
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Christian McWhirter

Print publication date: 2012

Print ISBN-13: 9780807835500

Published to North Carolina Scholarship Online: July 2014

DOI: 10.5149/9780807882627_mcwhirter

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 26 September 2021

The Choked Voice of a Race, at Last

The Choked Voice of a Race, at Last

Unloosed African Americans and Civil War Music

Chapter:
(p.137) Chapter 6 The Choked Voice of a Race, at Last
Source:
Battle Hymns
Author(s):

Christian McWhirter

Publisher:
University of North Carolina Press
DOI:10.5149/9780807882627_mcwhirter.10

This chapter discusses the introduction of African American music to white audiences during the Civil War. Minstrelsy, one of the most popular genres of American music, was specifically designed to portray slave life. As the southern slave system collapsed, minstrel music changed. In the North, minstrel performers and songwriters supported emancipation and black enlistment.

Keywords:   African American, music, Civil War, minstrelsy, slave life, minstrel music, emancipation, enlistment

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