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Ain't Got No HomeAmerica's Great Migrations and the Making of an Interracial Left$
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Erin Royston Battat

Print publication date: 2014

Print ISBN-13: 9781469614021

Published to North Carolina Scholarship Online: September 2014

DOI: 10.5149/northcarolina/9781469614021.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 20 October 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Ain't Got No Home
Author(s):

Erin Royston Battat

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469614021.003.0001

This introductory chapter sets out the book's main themes. The book argues that writers and artists turned to the theme of migration to bolster the alliance between African Americans and the Popular Front. Depicting migrants as emblems of “the people,” the writers and artists studied here participated in the populist fervor of the late 1930s, while continuing to advance an anticapitalist and antiracist agenda. The book focuses on lesser-known writers and artists whose work speaks to the uneasy melding of class- and race-based politics from the onset of the Popular Front in 1935 until the start of the Cold War in the late 1940s. An overview of the subsequent chapters is also presented.

Keywords:   migration, African Americans, Popular Front, migrants, populism, antiracism

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