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Rhythms of RaceCuban Musicians and the Making of Latino New York City and Miami, 1940-1960$
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Christina D. Abreu

Print publication date: 2015

Print ISBN-13: 9781469620848

Published to North Carolina Scholarship Online: January 2016

DOI: 10.5149/northcarolina/9781469620848.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 27 July 2021

Conclusion

Conclusion

Chapter:
(p.219) Conclusion
Source:
Rhythms of Race
Author(s):

Christina D. Abreu

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469620848.003.0007

This concluding chapter briefly describes what had become of the musicians, social clubs, ethnic institutions, and other opportunities for cultural expression explored throughout the text. It argues that these cultural productions and racialized expectations had shaped future claims of belonging and modes of (self-)identification as “Afro-Cuban” and “Afro-Latino/a.” It also considers how post-1965 Latin American and Caribbean migration and the Cold War-era politics have conditioned popular memory and historiography toward a dismissal of the similarities and links between Cuban migration and that of Puerto Ricans, Mexicans, and other Latino/a groups. The chapter ends by examining the controversy surrounding Republican politician Marco Rubio, who in 2011 was revealed to have lied about his family background. This controversy suggests that the local and transnational dimensions of identity making and community building continue to persist and circulate today.

Keywords:   musicians, social clubs, ethnic institutions, cultural expression, cultural production, Afro-Cuban, Afro-Latino, Cuban migration, Marco Rubio

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