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Civil War CanonSites of Confederate Memory in South Carolina$
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Thomas J. Brown

Print publication date: 2015

Print ISBN-13: 9781469620954

Published to North Carolina Scholarship Online: January 2016

DOI: 10.5149/northcarolina/9781469620954.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 16 September 2021

Modern Times

Modern Times

Chapter:
(p.277) 8 Modern Times
Source:
Civil War Canon
Author(s):

Thomas J. Brown

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469620954.003.0008

This chapter first describes how lyrics from Bob Dylan’s album Modern Times incorporated snippets from the poetry of Henry Timrod without attribution. It argues that even before the Civil War, Timrod personified an experience of defeat and self-recognition that would complement Dylan’s conception of modernity in Modern Times. The discussion then turns Ted Phillips’ book City of the Silent: The Charlestonians of Magnolia Cemetery and the postmodern renewal of Confederate remembrance. For Phillips, the lasting value of the Confederacy rested in its demonstration that shared remembrance might serve as a basis for everyday performance of community. He recognized that this collective memory was a form of fiction, and he addressed the quintessential fictionalization of the Confederate saga, Gone with the Wind, more thoroughly than he covered any military campaign.

Keywords:   Bob Dylan, Henry Timrod, poets, Confederate remembrance, Ted Phillips, collective memory

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