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The Product of Our SoulsRagtime, Race, and the Birth of the Manhattan Musical Marketplace$
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David Gilbert

Print publication date: 2015

Print ISBN-13: 9781469622699

Published to North Carolina Scholarship Online: January 2016

DOI: 10.5149/northcarolina/9781469622699.001.0001

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Introduction

Introduction

A Kind of Symphony Music That … Lends Itself to the Playing of the Peculiar Compositions of Our Race

Chapter:
(p.1) Introduction
Source:
The Product of Our Souls
Author(s):

David Gilbert

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469622699.003.0001

This introductory chapter reflects on the implications of the 1912 Carnegie Hall concert held by the Clef Club Orchestra, as black musicians skirted the color line in appealing to the broader cultural sensibilities of their audiences—be they black or white. The Clef Club concert was memorable because it disrupted so many basic assumptions that Americans had about the pressing issues of race, culture, modernity, and nation in the early years of the twentieth century. It transcended the commonly accepted distinctions between art and entertainment, folk and modern, African American identity and American national character. Conductor James Reese Europe's ensemble called attention to these opposing poles of cultural value, seeming to identify them as social constructs even as he undermined them.

Keywords:   Carnegie Hall, Clef Club Orchestra, James Reese Europe, race, culture, modernity, twentieth century

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