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Real Native GeniusHow an Ex-Slave and a White Mormon Became Famous Indians$
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Angela Pulley Hudson

Print publication date: 2015

Print ISBN-13: 9781469624433

Published to North Carolina Scholarship Online: May 2016

DOI: 10.5149/northcarolina/9781469624433.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 21 September 2021

Prologue

Prologue

Chapter:
(p.1) Prologue
Source:
Real Native Genius
Author(s):

Angela Pulley Hudson

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469624433.003.0001

This prologue briefly examines the lives of Okah Tubbee and Laah Ceil. Born as Warner McCary and Lucile (Lucy) Celesta Stanton, respectively, together they crafted an elaborate traveling Indian act that included a religious sect, a variety of musical stage shows, and a medical business. Their professional Indian personae helped conceal their interracial relationship, as well as other secrets such as unorthodox religious beliefs and marital practices. The chapter also explores the role that Indianness played within antebellum culture in the United States. It argues that ideas about American Indians were deeply enmeshed with social and cultural forces, including the regimes of chattel slavery and settler colonialism, and played a powerful role in the expression of racial, gender, sexual, class, and religious identities.

Keywords:   Okah Tubbee, Laah Ceil, Warner McCary, Lucile Stanton, traveling Indian act, interracial relationship, professional Indian, antebellum culture, Indianness

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