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Calypso MagnoliaThe Crosscurrents of Caribbean and Southern Literature$
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John Wharton Lowe

Print publication date: 2016

Print ISBN-13: 9781469628882

Published to North Carolina Scholarship Online: September 2016

DOI: 10.5149/northcarolina/9781469628882.001.0001

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Palette of Fire

Palette of Fire

The Aesthetics of Propaganda in Black Boy and In the Castle of My Skin

Chapter:
(p.248) 6 Palette of Fire
Source:
Calypso Magnolia
Author(s):

John Wharton Lowe

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469628882.003.0007

This chapter considers the ways in which Richard Wright’s autobiography Black Boy influenced the Barbadian writer George Lamming’s autobiographical novel, In the Castle of My Skin. The discussion begins with a survey of Wright’s extensive interest in the circumCaribbean, and the experiences he had there. His friendship with Lamming provides insight into the latter’s admiration for both Wright and his works, and shows how this becomes evident in the Barbadian’s novel. Both texts were written in exile, a state that is explored using Edward Said’s theories, and accounts of Wright’s years in Paris and Lamming’s in London. Both novels, rightly seen as works of propaganda, are revealed to also be complex and lyrical works of art, employing a “palette of fire” to engage and challenge readers. Pertinent histories of Mississippi and Barbados add new angles of approach, and similarities between key characters - who illustrate the exigencies of colonial oppression and Jim Crow miseries - emerge through a use of literary theory and an arsenal of psycho-analytic tools. These issues are further examined through a reading of one of Wright’s related texts, the photo-documentary he compiled with Edwin Rosskam, Twelve Million Black Voices.

Keywords:   colonial oppression, black masculinity, aesthetics of propaganda, autobiography/autobiographical fiction

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