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Pressed for All TimeProducing the Great Jazz Albums from Louis Armstrong and Billie Holiday to Miles Davis and Diana Krall$
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Michael Jarrett

Print publication date: 2016

Print ISBN-13: 9781469630588

Published to North Carolina Scholarship Online: May 2017

DOI: 10.5149/northcarolina/9781469630588.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 27 September 2021



(p.283) Coda
Pressed for All Time

Michael Jarrett

University of North Carolina Press

Up until recently, I would say my role was to take the artist, his concept, and his point of view and put them down on tape—not really fool with it too much. Now I’m more particular. I think if somebody is choosing a piano player who is not especially good or there are ten guys who are better, I am going to say so. “I am okay if you want to use this guy because he’s in your band, but is he in your band because he’ll work for three hundred a week? You can do better.” I know the argument about loyalty, and I know the argument about closeness. I buy them. I think they’re good arguments, but you can also make records with musicians that are not quite up to the job, and you are not going to sell as many of them, I don’t think. The idea is to speak up and be more back-and-forth with the artist. Then again, some guys—especially jazz guys—know what they want....

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