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All the Agents and SaintsDispatches from the U.S. Borderlands$
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Stephanie Elizondo Griest

Print publication date: 2017

Print ISBN-13: 9781469631592

Published to North Carolina Scholarship Online: January 2018

DOI: 10.5149/northcarolina/9781469631592.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 21 October 2019

The Wall

The Wall

Chapter:
(p.82) 7 The Wall
Source:
All the Agents and Saints
Author(s):

Stephanie Elizondo Griest

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469631592.003.0008

The most inane obstacle that undocumented immigrants face upon reaching U.S. soil is the 670-mile border wall that Congress erected after passing the 2006 Secure Border Fence Act. The author meditates on its architecture through her meetings with half a dozen visual artists. Conceptual artist Susan Harbage Page photographs and collects the objects immigrants leave behind during their border crossing. Artist and curator Mark Clark organizes “Art Against The Wall” exhibitions in which artists festoon the border wall with brilliantly colored canvases (until the Border Patrol takes them down). Rigoberto Gonzalez is an oil painter who recreates life-size images of narco-violence in the style of seventeenth-century Baroque masters. Santa Barraza paints a Virgen de Guadalupe in Kingsville every December. At the end of the chapter, the author witnesses the arrest of two undocumented immigrants less than a mile from the Rio Grande.

Keywords:   2006 Secure Border Fence Act, border wall, U.S. Mexico border, undocumented worker, U.S. Border Patrol, Rio Grande Valley, activist art, Susan Harbage Page, Santa Barraza, Rigoberto Gonzalez

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