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Congo Love SongAfrican American Culture and the Crisis of the Colonial State$
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Ira Dworkin

Print publication date: 2017

Print ISBN-13: 9781469632711

Published to North Carolina Scholarship Online: January 2018

DOI: 10.5149/northcarolina/9781469632711.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 21 September 2021

Introduction

Introduction

James Weldon Johnson’s Transnational Vaudeville

Chapter:
(p.1) Introduction
Source:
Congo Love Song
Author(s):

Ira Dworkin

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469632711.003.0001

This introduction uses the popular James Weldon Johnson and J. Rosamond Johnson song “Congo Love Song” to consider the way that African American popular culture—in this instance a wildly successful vaudeville song—were integral parts of a larger culture of African American transnational engagement with the Congo. The song was written and first performed in 1903 at the height of an African American campaign against King Leopold II of Belgium’s colonial regime. The political significance of the song is further highlighted by the career of James Weldon Johnson, who was not only a songwriter, but also a novelist, journalist, lawyer, educator, diplomat, and political activist with the NAACP. His longer career trajectory points to the ways that the Congo is deeply embedded with a wide range of African American cultural and political engagements.

Keywords:   James Weldon Johnson, “Congo Love Song”, NAACP, vaudeville

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