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A Communion of ShadowsReligion and Photography in Nineteenth-Century America$
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Rachel McBride Lindsey

Print publication date: 2017

Print ISBN-13: 9781469633725

Published to North Carolina Scholarship Online: May 2018

DOI: 10.5149/northcarolina/9781469633725.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 16 October 2019

When I Awake with Thy Likeness

When I Awake with Thy Likeness

Chapter:
(p.22) One When I Awake with Thy Likeness
Source:
A Communion of Shadows
Author(s):

Rachel McBride Lindsey

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469633725.003.0002

This chapter examines family Bible portrait galleries within the context of studio portraiture and nineteenth-century notions of “likeness.” Portrait galleries for small, card-sized “carte de visite” studio portraits became popular additions to family bibles in the 1860s and remained so through the end of the century. This chapter positions these galleries against standalone photograph albums and other forms of memory work within family bibles in order to consider what genealogies these silent likenesses created for their beholders. As a point of entry into the communion of shadows, this chapter argues that family bible portrait galleries were sites where knotted threads of race and nation were smuggled into sacred history—unwittingly, perhaps—under the guise of family pictures.

Keywords:   Family Bibles, Studio portraits, Likeness, Race, Nation, Genealogy, Daguerreotypes

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