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Picturing IdentityContemporary American Autobiography in Image and Text$
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Hertha D. Sweet Wong

Print publication date: 2018

Print ISBN-13: 9781469640709

Published to North Carolina Scholarship Online: January 2019

DOI: 10.5149/northcarolina/9781469640709.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 13 October 2019

Coda

Coda

Image-Text Interfaces, Material and Digital

Chapter:
(p.229) Coda
Source:
Picturing Identity
Author(s):

Hertha D. Sweet Wong

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469640709.003.0010

The Coda reiterates that the post-civil rights era in the United States–with the coalescence of rebellion against historic modes of thought, heightened awareness of the politics of race and gender, and challenges to the artificiality of disciplinary silos –gave rise to a period of intense innovation in autobiographical expression in text and image. During this same period, profoundly new possibilities for image-text self-expression arose as the internet was developed, digital tools were generated, and social media sites were launched. Like the interart autobiographies discussed in Picturing Identity, digital media demands interactive engagement. The conclusion discusses e-poetry as a digital descendant of the forms discussed in the book. Finally, the chapter suggests that scholarly claims that digital technology itself decenters the subject must be reconsidered. It is not technology alone that determines subjectivity. All the writers-artists discussed thematize a split subject that seeks, usually futilely, wholeness.

Keywords:   Image-Text, Digital, Interart Autobiography, Subjectivity

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