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Black. Queer. Southern. Women.An Oral History$
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E. Patrick Johnson

Print publication date: 2018

Print ISBN-13: 9781469641102

Published to North Carolina Scholarship Online: September 2019

DOI: 10.5149/northcarolina/9781469641102.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 17 November 2019

Epilogue

Epilogue

A Poet’s Response

Chapter:
(p.559) Epilogue
Source:
Black. Queer. Southern. Women.
Author(s):

E. Patrick Johnson

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469641102.003.0015

The final chapter is anchored by a poem from Omi Osun Joni L. Jones, titled “Touch.” Johnson argues that the poem exemplifies a central tension of these narratives by Black, queer, Southern women: the homophobia of the South and these women’s commitment to making the region more hospitable for Black, queer life. He discusses the work of Black feminist scholars Evelynn Hammonds, Darlene Clark Hine, and Evelyn Brooks Higginbotham in publishing scholarship that rethinks strategies of survival, and stresses that Black. Queer. Southern. Women. follows in this intellectual vein. Finally, Johnson also offers a brief reflection on his subject position as a cisgender, Black, gay, middle-class academic from the South and the ways that this positionality shaped the work.

Keywords:   Omi Osun Joni L. Jones, Evelynn Hammonds, Darlene Clark Hine, Evelyn Brooks Higginbotham, survival

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