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Crafting an Indigenous NationKiowa Expressive Culture in the Progressive Era$
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Jenny Tone-Pah-Hote

Print publication date: 2019

Print ISBN-13: 9781469643663

Published to North Carolina Scholarship Online: September 2019

DOI: 10.5149/northcarolina/9781469643663.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 19 September 2021

Beyond Feathered War Bonnets

Beyond Feathered War Bonnets

Kiowa Labor, Performance, and the Public Imaginary, 1870–1934

Chapter:
(p.15) Chapter One Beyond Feathered War Bonnets
Source:
Crafting an Indigenous Nation
Author(s):

Jenny Tone-Pah-Hote

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469643663.003.0002

Despite the messages of power and progress that museums, exhibitions, and even Wild West shows created and encouraged, Kiowa and other Native people negotiated and transformed them, making cultural and political spaces and opportunities. Creating these spaces for cultural expression was also work, and Kiowa people engaged in cultural production as labor and as a means to maintain cultural life during the assimilation era. The spaces that Kiowa and other Native people created at the turn of the century would later be taken up by subsequent Kiowa cultural producers.

Keywords:   drawings on paper, Fort Marion, St. Augustine, Florida, fairs and expositions, museums

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