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City of a Million DreamsNew Orleans at Year 300$
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Jason Berry

Print publication date: 2018

Print ISBN-13: 9781469647142

Published to North Carolina Scholarship Online: September 2019

DOI: 10.5149/northcarolina/9781469647142.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 21 September 2021

Prologue

Prologue

In the Hum of a B-flat City

Chapter:
(p.1) Prologue
Source:
City of a Million Dreams
Author(s):

Jason Berry

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469647142.003.0016

In this prologue, Berry describes how the jazz funeral of black musician and composer Allen Toussaint coincided with a debate over removing four Confederate monuments. Through this lens, Berry examines how the events surrounding the Toussaint burial pageant magnified the roiling debate over myth, memory, and politics, as well as how the beguiling image of New Orleans grew from a culture of spectacle in tension with a city of laws, an official city the popular culture challenged. Through his descriptions of the Toussaint funeral, his own conversations with Toussaint prior to his death, and an examination of race, history, Mardi Gras, and identity in New Orleans, Berry examines how the city opened into a series of adventures in which its identity kept shifting, becoming a crossroads of humanity that forged a Creole culture rich in foodways, music, tradition, and more.

Keywords:   Allen Toussaint, Confederate monuments, New Orleans, Mardi Gras, race, identity, Creole culture

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