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Visualizing EqualityAfrican American Rights and Visual Culture in the Nineteenth Century$
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Aston Gonzalez

Print publication date: 2020

Print ISBN-13: 9781469659961

Published to North Carolina Scholarship Online: September 2021

DOI: 10.5149/northcarolina/9781469659961.001.0001

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PRINTED FROM UNIVERSITY OF NORTH CAROLINA PRESS SCHOLARSHIP ONLINE (www.northcarolina.universitypressscholarship.com). (c) Copyright University of North Carolina Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in NCSO for personal use.date: 23 May 2022

Spectacular Activism

Spectacular Activism

Black Abolitionists and Their Moving Panoramas

Chapter:
(p.107) 4 Spectacular Activism
Source:
Visualizing Equality
Author(s):

Aston Gonzalez

Publisher:
University of North Carolina Press
DOI:10.5149/northcarolina/9781469659961.003.0005

This chapter moves between the United States and England to analyze the antislavery moving panoramas exhibited by three black men—James Presley Ball, William Wells Brown, and Henry Box Brown. Following the moving panoramas of slavery that they toured to exhibit the horrors of enslavement and fund antislavery campaigns, this chapter situates the medium of the moving panorama as another popular media form that black activists used to advance their cause. As the visual medium regained popularity in England and the United States for its landscape views, these black men centered the experiences of enslaved people in their repurposed panoramas for the thousands of men, women, and children who viewed them. The reception of these popular panoramas demonstrated the educational and inspirational components of these works. Each of these three moving panorama purveyors implemented different business strategies to attract attendees and convince them of the authenticity and veracity of their antislavery works. Like the African American producers of other visual media, they drew on an established network of activists as they toured towns and cities in the service of the abolitionist cause. Records from these African American exhibitors, advertisements, and attendees reveal the complex process of encouraging viewer expectations, fashioning visual experiences, and interpreting the displayed information. Activists knew that the freedom of millions was at stake.

Keywords:   Moving panorama, abolition, Escaped slave, Reception, England, William Wells Brown, Henry Box Brown, Landscape

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